Greek black metal from the early to mid-1990s is rightfully one of the 
most celebrated convergences of time and place in the history of the 
genre.  There are relatively few styles in metal that can be so easily 
identified as having emerged from such a narrowly-defined context as the
 archetypal sound that was pioneered most famously by the likes of 
Rotting Christ and Varathron.  Among other less-commonly-referenced 
bands from the same scene was Elysian Fields, who initially began to 
garner attention in their country following the circulation of two promo
 tapes in 1994 and 1995.  The unique sound refined in the band’s early 
development and demonstrated on these tapes soon resulted in their 
signing to the renowned Unisound Records, which in turn led to the 1995 
release of Elysian Fields’ debut album, “Adelain,” a recording which 
represents both a nod to their aforementioned fellow countrymen as well 
as an incorporation of other various influences.  Although it certainly 
exhibits primary elements of the black metal immortalized on other Greek
 albums such as “Thy Mighty Contract” and “His Majesty at the Swamp,” 
“Adelain” also reflects palpable traits of the death metal exemplified 
in the early recordings from Sweden’s At the Gates and the hybrid of 
gothic death/doom of Britain’s My Dying Bride.  Above all, the primary 
difference that one is likely to note between this album and other Greek
 masterpieces is the more pronounced reliance on somber, melodic 
passages interspersed among the more aggressive black metal riffs.  
These passages tend to include piano accompaniment and, more 
occasionally, spoken-word vocals, very much akin to their implementation
 in My Dying Bride’s “Turn Loose the Swans.”  This characteristic 
notwithstanding, “Adelain” is anything but feeble.  On the contrary, its
 melodic aspects instead serve to create contrast with and thus 
accentuate the more primal black metal with which they are melded, all 
the while showcasing how seemingly disparate elements from various 
influences can be properly and effectively combined.
Nuclear War Now! is now proud to offer the first reissue of “Adelain” on
 both CD and LP formats since its initial release by Unisound in 1995.  
In addition to having been originally released by the same label as both
 Rotting Christ’s and Varathron’s sophomore albums, “Adelain” was also 
recorded at the legendary Storm Studio under the supervision of George 
Magus of Necromantia, which lends further credence to the album’s strong
 Greek pedigree.  This reissue also includes three rare bonus tracks 
taken from the previously-referenced promo tapes from 1994 and 1995.  
Considering its place not only as an example of its region’s uniqueness 
in a greater context, but also the album’s distinctiveness within its 
own regional context, this reissue once again celebrates Greece’s 
prominent role in black metal history.
															22.00€
							
							
							
							
							
 
						
						
						 In Stock
						
						
														
							Format: LP
							
						
 
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